î³Ëï³Ï 14
ì³Õ ÙÇçݳ¹³ñÇ Ñ³Û ³ñÑ»ëï³íáñÝ»ñÇ ï³ñ³½Ý ÁݹѳÝñ³å»ë Ù»½ ѳÛïÝÇ ã»ñ: ²Û¹ Ù»Í å³Ï³ëÁ Ù³ë³Ùµ ϳñáÕ³ó³Ýù Éñ³óÝ»É ¼í³ñÃÝáóÇ ï³×³ñÇ µ»ÏáñÝ»ñÇó í»ñóí³Í ßÇݳñ³ñ í³ñå»ïÝ»ñÇ å³ïÏ»ñ³ù³Ý¹³ÏÝ»ñÇó (ïË. 90): ²Û¹ å³ïÏ»ñ³ù³Ý¹³ÏÝ»ñÁ Ý»ñϳ۳óí³Í »Ý ÙÇÝ㨠ٻçùÁ: Ø»ñ í»ñ³Ï³Ý·ÝáõÙáí ¹ñ³Ýù å³ïÏ»ñ»É »Ýù ³ÙµáÕç ѳë³Ïáí, ÑÇÙÝí»Éáí ѳïϳå»ë ݳËáñ¹ª 12 ¨ 13 ï³Ëï³ÏÝ»ñáõÙ áõÝ»ó³Í ÷³ëï³Ï³Ý ÝÛáõûñÇ íñ³:
1. ¼í³ñÃÝáóÇ ï³×³ñÇ áõñí³ÝϳñÁ:
2. ÎÝ·áõÕ³íáñ ßÇݳñ³ñÇ »ÕÍí³Í ³Ûë ù³Ý¹³ÏÁ Ù»Ýù ѳٳñáõÙ »Ýù ٻͳÝáõÝ ×³ñï³ñ³å»ï ÐáíѳÝÇ Ï»ñå³ñÁ, »ÉÝ»Éáí Ñ»ï¨Û³É ѳݷ³Ù³ÝùÝ»ñÇó. ³. ÙÛáõë ßÇݳñ³ñ í³ñå»ïÝ»ñÇó áã Ù»ÏÁ ÏÝ·áõÕ³íáñ ã¿: ÎÝ·áõÕÁ áÙ³Ýù ѳٳñ»Éáí Ïáõë³ÏñáÝÇ í»½³ñ, ÐáíѳÝÇÝ Ñ³Ù³ñ»É »Ý »Ï»Õ»ó³Ï³Ý, ÙÇÝã¹»é ÏÝ·áõÕÁ í³Õáõí ɳÛÝ ·áñͳÍáõÃÛáõÝ ¿ áõÝ»ó»É Ù»ñ ÅáÕáíñ¹Ç Ù»çª Ð³Û³ëï³ÝÇ ÏÉÇÙ³Û³Ï³Ý ËÇëï å³ÛÙ³ÝÝ»ñÇ µ»ñáõÙáí: ÜáõÛÝÇëÏ Ù»ñ ÙÇçݳ¹³ñÛ³Ý ·»ñ»½Ù³Ý³ù³Ý¹³ÏÝ»ñÇ íñ³ Ñ³×³Ë Ï³ñ»ÉÇ ¿ ѳݹÇå»É ÏÝ·áõÕ³íáñ å³ïÏ»ñ³ù³Ý¹³ÏÝ»ñÇ. µ. µ³óÇ ³Û¹, ¼í³ñÃÝáóÇ ÝÙ³Ý ËÇëï µ³ñ¹ ¨ ѳݹáõ·Ý Ýáñ³ñ³ñáõùÛáõÝÝ»ñáí ÙÇ Ï³éáõÛóÇ Ñ»ÕÇÝ³Ï Ï³ñáÕ ¿ñ ÉÇÝ»É ÙdzÛÝ Çñ ³ëå³ñ»½áõÙ ÑÙáõï ¨ µ³½Ù³ÙÛ³ ÷áñÓ³éáõÃÛ³Ý ï»ñ ׳ñï³ñ³å»ïÁ:
3. àõñ»Ùݪ Ù»ñ ϳï³ñ³Í í»ñ³Ï³Ý·ÝáõÙáí ѳٳñÓ³ÏíáõÙ »Ýù Ý»ñϳ۳óÝ»É ÐáíÑ³Ý ×³ñï³ñ³å»ïÇÝ, Ó»éùáí µéÝ³Í ßÇݳñ³ñ³Ï³Ý »ñÏáõ ËáñÑñ¹³Ý߳ݪ µ³ÑÝ áõ ù³Ý¹³Ï³·áñÍÇ Ùáõñ×Á:

Òàáëèöà 14
Êîñòþìû ìàñòåðîâ – ñòðîèòåëåé õðàìà Çâàðòíîö (VII â.)
1. Ýñêèç õðàìà Çâàðòíîö.
2.Èçâàÿíèå àðõèòåêòîðà Îâíàíà, íàéäåííîå â õðàìå Çâàðòíîö â ïîâðåæäåííîì ñîñòîÿíèè.
3. Ðåêîíñòðóêöèÿ èçâàÿíèÿ àðõèòåêòîðà Îâíàíà.

Table 14
The artisans' costumes of the early middle ages in general were unknown to us.
We partly completed this imperfectness through the high- relief carvings of the masters-constructors taken from the fragments of the Zwartnots temple-a wasterpiece of the Armenian architecture of the VII c.
1. The sketh of the Zvartnots temple.
2. The corrupted carving of architect Hovhan (Zvartnots temple).
3. The reconstruction of the carving.